3 00:00:13,305 --> 00:00:15,724 Well... Uh... 4 00:00:15,891 --> 00:00:17,768 Let me tell you in short, 5 00:00:17,935 --> 00:00:20,145 in two sentences, my main concern. 6 00:00:20,312 --> 00:00:21,522 Yes, of course. 7 00:00:22,356 --> 00:00:25,400 My main concern is the concern of the company 8 00:00:25,567 --> 00:00:28,195 and the prestige of Cannon. 9 00:00:29,738 --> 00:00:33,784 Cannon has announced for a year and a half, approximately, 10 00:00:33,951 --> 00:00:36,995 the Jean-Luc Godard movie King Lear. 11 00:00:38,372 --> 00:00:42,292 People do not believe already that the movie will ever be done. 12 00:00:42,459 --> 00:00:45,003 We are losing confidence, we are losing our name. 13 00:00:45,170 --> 00:00:48,006 It is very bad for us because every now and again, 14 00:00:48,173 --> 00:00:52,177 a clever interviewer, who thinks he's clever, 15 00:00:52,344 --> 00:00:53,512 comes to me and says: 16 00:00:53,679 --> 00:00:57,933 "You made a big noise once you signed with Godard, et cetera." 17 00:00:58,100 --> 00:01:00,894 And I have to tell him we are shooting, we are shooting. 18 00:01:01,061 --> 00:01:01,979 Anyway... 19 00:01:03,438 --> 00:01:07,150 uh, it is hurting us, and I... 20 00:01:08,110 --> 00:01:11,905 I must insist that this movie, as promised, 21 00:01:12,072 --> 00:01:15,909 which was already postponed so many times, 22 00:01:16,076 --> 00:01:17,911 will reach the Cannes Festival. 23 00:01:18,579 --> 00:01:20,372 This is my main concern. 24 00:01:21,081 --> 00:01:23,667 Okay, Jean-Luc, why don't you respond to that? 25 00:01:23,834 --> 00:01:24,876 Action. 26 00:01:27,462 --> 00:01:30,007 Mailer. Oh, yes. 27 00:01:31,341 --> 00:01:33,510 That is a good way to begin. 28 00:01:38,348 --> 00:01:40,475 Uh-huh, uh-huh, uh-huh. 29 00:01:41,268 --> 00:01:42,269 Ah. 30 00:01:49,484 --> 00:01:53,363 The contract, dated the 16th of April, '86, 31 00:01:53,530 --> 00:01:56,783 was between Norman Mailer and JLG films. 32 00:01:56,950 --> 00:01:58,285 - It said: 33 00:01:58,452 --> 00:02:01,622 "Norman Mailer and certain members of his family, 34 00:02:01,788 --> 00:02:06,460 including Kate Mailer, as may be required and available, 35 00:02:06,627 --> 00:02:12,174 shall provide their general services, including services as actors." 36 00:02:13,800 --> 00:02:15,844 But words are reckless. 37 00:02:16,011 --> 00:02:22,559 Words are one thing, and reality, gentle reality, is another thing. 38 00:02:22,726 --> 00:02:26,688 - Would you like a drink? - And between them is no thing. 39 00:02:29,024 --> 00:02:32,694 You know, I'm all keyed up. I want to go back to America. 40 00:02:32,861 --> 00:02:35,572 Why don't we change our plane reservations for tomorrow? 41 00:02:40,911 --> 00:02:41,995 Dad. 42 00:02:52,005 --> 00:02:53,131 Dad. 43 00:03:12,818 --> 00:03:16,822 Don Kenny, Don Gloustro, Don Learo. 44 00:03:16,988 --> 00:03:18,031 "Learo." 45 00:03:18,198 --> 00:03:19,491 Learo. 46 00:03:20,283 --> 00:03:22,661 Why are you so interested in the mafia? 47 00:03:24,579 --> 00:03:27,207 I think the mafia is the only way to do King Lear. 48 00:03:33,839 --> 00:03:35,132 Cordelia. 49 00:03:37,300 --> 00:03:38,301 Mailer. 50 00:03:42,889 --> 00:03:45,183 Oh, that's a good way... 51 00:03:50,230 --> 00:03:52,607 That's a good way to begin. 52 00:03:55,736 --> 00:04:00,282 To begin the thought, I said, as usual, "Let's go." 53 00:04:01,116 --> 00:04:06,496 The great writer said, "Why don't you say, 'Action'?" So I did. 54 00:04:07,539 --> 00:04:10,959 Then I said, "Kate enters your room 55 00:04:11,126 --> 00:04:15,255 and kisses you when she hears you finished the play. 56 00:04:15,422 --> 00:04:17,591 Not your play. The play." 57 00:04:18,800 --> 00:04:20,844 The great writer said: 58 00:04:21,011 --> 00:04:22,763 -"Why don't I kiss her - Room 230, please. 59 00:04:22,929 --> 00:04:25,390 instead of her kissing me?" 60 00:04:25,557 --> 00:04:27,642 - Come in. - I said okay again. 61 00:04:27,809 --> 00:04:29,519 - Hi. - You're psychic. I was just calling you. 62 00:04:29,686 --> 00:04:33,356 And now began the ceremony of star behavior. 63 00:04:33,523 --> 00:04:38,945 "Why do I have to put my jacket on?" "Do I have to drink orange juice?" 64 00:04:39,112 --> 00:04:44,618 "And again, why does she take my hand instead of me taking her?" 65 00:04:44,785 --> 00:04:47,829 "And anyway, this picture, what the hell?" 66 00:04:48,997 --> 00:04:51,333 - Like a drink? - Yeah. 67 00:04:54,085 --> 00:04:59,883 You know, I'm all keyed up. I think I'd like to go back to the States. 68 00:05:16,525 --> 00:05:18,902 Why don't we grab a plane and get out of here? 69 00:05:20,487 --> 00:05:23,365 It was not Lear with three daughters. 70 00:05:23,990 --> 00:05:26,993 - It was Kate with three fathers. - Dad... 71 00:05:27,744 --> 00:05:32,374 Mailer as a star, Mailer as a father, 72 00:05:32,541 --> 00:05:34,793 and me as a director. 73 00:05:36,294 --> 00:05:38,797 - Too much indeed... - Dad. 74 00:05:38,964 --> 00:05:41,967 ...for this young lady from Provincetown. 75 00:05:49,975 --> 00:05:54,688 After the fifth take of the first shot, the great writer left the set. 76 00:05:54,855 --> 00:05:57,190 He took off for America, as he said. 77 00:05:57,357 --> 00:06:01,611 He and his daughter, first class. Daughter's boyfriend, economy. 78 00:06:01,778 --> 00:06:05,365 - Don Kenny, Don Glouster. - Don Gloustro. 79 00:06:05,532 --> 00:06:09,327 Don Gloustro. Why are you so interested in the mafia? 80 00:06:09,494 --> 00:06:11,705 Anyway, I was fired. 81 00:06:12,372 --> 00:06:17,836 I kept on thinking about the relation of art and fire. 82 00:06:22,924 --> 00:06:24,009 Cordelia. 83 00:06:26,094 --> 00:06:28,513 Hello, everybody. Good evening, folks. 84 00:06:32,475 --> 00:06:34,269 But why did they pick me? 85 00:06:37,606 --> 00:06:39,858 Twenty years later, I still wonder. 86 00:06:42,777 --> 00:06:47,616 Why not some other gentleman from Moscow or Beverly Hills? 87 00:06:48,700 --> 00:06:52,454 Why don't they just order some goblin to shoot this twisted fairy tale? 88 00:06:54,497 --> 00:06:56,249 - Marcel. - No. 89 00:06:56,416 --> 00:06:57,709 Yes. 90 00:06:59,586 --> 00:07:03,840 A picture. Such that you could put it in a cell 91 00:07:04,007 --> 00:07:07,302 and condemned it to solitary confinement forever, 92 00:07:07,928 --> 00:07:09,721 without it being an atrocity. 93 00:07:09,888 --> 00:07:11,848 Yes, of course. 94 00:07:12,015 --> 00:07:15,977 Be sure you have exhausted everything. 95 00:07:16,144 --> 00:07:19,397 Which is to communicates by immobility and silence. 96 00:07:19,564 --> 00:07:22,108 No. No. 97 00:07:22,275 --> 00:07:26,780 François. I-I'm not sure. 98 00:07:28,531 --> 00:07:30,992 If an image, looked at separately, 99 00:07:31,159 --> 00:07:32,744 expresses something clearly... 100 00:07:32,911 --> 00:07:36,164 But, Georges, yes, definitely. 101 00:07:37,540 --> 00:07:41,419 ...it will not transform itself in contact with other images. 102 00:07:41,586 --> 00:07:45,507 - Robert, yes. - Other images will have no power over it. 103 00:07:45,674 --> 00:07:48,969 And it will have no power over the other images. 104 00:07:49,135 --> 00:07:52,806 - No action, no reaction. - Pier Paolo, yes. 105 00:07:53,765 --> 00:07:56,685 Yes. The night has come. Another world awakens. 106 00:07:56,851 --> 00:08:00,188 Fritz, yes, of course, of course. 107 00:08:00,355 --> 00:08:07,195 Hard, cynical, unalphabetical, amnesiac, twisted without reason. 108 00:08:07,988 --> 00:08:12,409 Spread flat, as if perspective has been abolished. 109 00:08:14,828 --> 00:08:20,250 And the strangest thing is that the living dead of this world 110 00:08:20,417 --> 00:08:23,086 are the constructs of the previous world. 111 00:08:23,253 --> 00:08:24,587 Joseph, yes. 112 00:08:24,754 --> 00:08:29,342 Their thoughts and their sensations are from before. 113 00:08:31,052 --> 00:08:34,139 The vanishing point has been erased. 114 00:08:36,599 --> 00:08:39,144 Again, Jacques, again! Yes. 115 00:08:39,310 --> 00:08:41,563 I am alone, the world seems to say. 116 00:08:42,397 --> 00:08:46,693 Caught then in a necessity you cannot change. 117 00:08:47,819 --> 00:08:49,612 If I'm only what I am... 118 00:08:49,779 --> 00:08:52,157 - Jean, yes. - ...I'm indestructible. 119 00:08:52,824 --> 00:08:56,619 Being what I am and without reserve, 120 00:08:57,245 --> 00:09:00,248 my solitude knows yours. 121 00:09:06,087 --> 00:09:11,509 No. I will be the pattern of all patience. 122 00:09:12,302 --> 00:09:14,763 I will say nothing. 123 00:09:17,265 --> 00:09:19,100 Am I in France? 124 00:09:20,351 --> 00:09:22,145 In your own kingdom, sir. 125 00:09:22,312 --> 00:09:23,396 And now... 126 00:09:23,563 --> 00:09:25,940 - Do not abuse me. - ...you desert your kingdom. 127 00:09:28,109 --> 00:09:32,363 I pass the testimony to someone else. 128 00:09:33,531 --> 00:09:36,284 Looking again at Luchino's picture, 129 00:09:36,910 --> 00:09:41,414 from the time when he was young and first assistant to Renoir, 130 00:09:42,832 --> 00:09:48,630 and noticing the difference between that and the old man that he became with time, 131 00:09:50,924 --> 00:09:54,177 I suddenly discovered why his artistic father Jean... 132 00:09:55,637 --> 00:09:57,138 ...also becoming old, 133 00:09:58,181 --> 00:10:00,391 was so keen on young girls, 134 00:10:02,060 --> 00:10:04,020 like his father, Auguste. 135 00:10:05,313 --> 00:10:06,314 Father. 136 00:10:07,607 --> 00:10:08,608 Father. 137 00:10:10,860 --> 00:10:14,447 Dorei, do not mock me. 138 00:10:15,448 --> 00:10:20,245 And then looking again at Sacha, still editing on his deathbed... 139 00:10:20,411 --> 00:10:23,915 Four score and upward. Not an hour more or less... 140 00:10:24,082 --> 00:10:27,544 I remembered what Pluggy told me years later about editing. 141 00:10:27,710 --> 00:10:29,087 ...to deal plainly. 142 00:10:29,754 --> 00:10:32,966 - I fear I am not in my perfect mind. - Handling... 143 00:10:33,925 --> 00:10:36,511 - physically... - When the rain came to wet me... 144 00:10:36,678 --> 00:10:40,932 - ...in both hands... the future... - ...and the wind to make me chatter... 145 00:10:42,016 --> 00:10:44,769 ...when the thunder would not peace at my bidding. 146 00:10:44,936 --> 00:10:46,187 ...the present, and the past. 147 00:10:46,354 --> 00:10:48,481 There I found 'em. 148 00:10:49,149 --> 00:10:51,401 There I smelt 'em out. 149 00:10:52,527 --> 00:10:56,990 Go to. They are not men of their words. 150 00:10:57,157 --> 00:11:01,327 - Betwixt mine eyes and heart... - They told me I was everything. 151 00:11:01,494 --> 00:11:04,122 ...and each doth good turns now into the other. 152 00:11:04,289 --> 00:11:05,748 I am not in my perfect mind. 153 00:11:05,915 --> 00:11:08,251 When that mine eye is famished for a look, 154 00:11:08,418 --> 00:11:12,046 or heart in love with sighs himself doth smother, 155 00:11:12,213 --> 00:11:15,466 with my love's picture then my eye doth feast, 156 00:11:15,633 --> 00:11:18,553 and to the painted banquet bids my heart. 157 00:11:21,556 --> 00:11:25,185 Come not between the dragon and his wrath. 158 00:11:26,895 --> 00:11:30,690 I loved her most and thought to set my rest 159 00:11:31,191 --> 00:11:33,318 on her kind nursery. 160 00:11:34,485 --> 00:11:37,739 Hence, and avoid my sight. 161 00:11:39,449 --> 00:11:42,619 So be my grave my peace, 162 00:11:42,785 --> 00:11:46,539 as here I give her father's heart from her. 163 00:11:46,706 --> 00:11:50,293 Peace, Mr. Shakespeare. 164 00:11:54,422 --> 00:11:58,760 Come not between the dragon and his wrath. 165 00:12:00,511 --> 00:12:02,305 I loved her most 166 00:12:02,972 --> 00:12:08,186 and thought to set my rest on her kind nursery. 167 00:12:08,770 --> 00:12:14,484 Hence, and avoid my look. 168 00:12:17,987 --> 00:12:21,658 So be my grave my peace. 169 00:12:25,328 --> 00:12:27,789 No nudity. No, no, no. 170 00:12:27,956 --> 00:12:30,291 I'm on duty now for the cultural division at Cannon, 171 00:12:30,458 --> 00:12:32,460 and they definitely don't accept nudity. 172 00:12:44,347 --> 00:12:47,016 And then suddenly, it was the time of Chernobyl... 173 00:12:48,268 --> 00:12:49,936 ...and everything disappeared. 174 00:12:50,812 --> 00:12:51,938 Everything. 175 00:12:53,564 --> 00:12:56,359 And then after a while, everything came back. 176 00:12:56,526 --> 00:13:01,531 Electricity, houses, cars, everything except culture and me. 177 00:13:03,032 --> 00:13:06,995 I was one of the few survivors in that field, as an individual. 178 00:13:07,704 --> 00:13:11,499 At the corporate level, there was the Cannon Cultural Division. 179 00:13:12,458 --> 00:13:15,628 So by special arrangement with them 180 00:13:15,795 --> 00:13:18,423 and the Royal Library of Her Majesty the Queen, 181 00:13:18,923 --> 00:13:20,091 I was engaged. 182 00:13:25,388 --> 00:13:29,642 My task, to recapture what had been lost, 183 00:13:29,809 --> 00:13:32,353 starting with the works of my famous ancestor. 184 00:13:51,164 --> 00:13:54,417 And so it happened that on my way back from Denmark, 185 00:13:54,584 --> 00:13:56,878 where I rediscovered "To be or not to be," 186 00:13:57,712 --> 00:14:01,591 I stopped here, in the little city of Nyon, 187 00:14:01,758 --> 00:14:05,678 between Italy and Germany, between the woods and the water, 188 00:14:06,512 --> 00:14:09,140 where I would try to locate another survivor... 189 00:14:10,433 --> 00:14:15,146 Who, according to local legend, specialized in visual media. 190 00:14:16,064 --> 00:14:19,609 He was named Plugoff, Play, Pluggy or something. 191 00:14:21,444 --> 00:14:26,157 I'd been told that his research was moving in parallel lines to my own. 192 00:14:27,325 --> 00:14:30,620 Oh, by the way, my name is William Shakespeare, Junior, the Fifth. 193 00:14:42,382 --> 00:14:43,716 What is this? 194 00:14:47,261 --> 00:14:49,931 Uh, it's the best part of the fish. 195 00:14:50,098 --> 00:14:51,849 Give me the map, there. 196 00:14:55,895 --> 00:14:57,146 Now, meantime... 197 00:14:59,399 --> 00:15:03,236 we shall express our darker purpose. 198 00:15:03,820 --> 00:15:04,987 Yes, Father. 199 00:15:07,031 --> 00:15:12,745 Know that I have divided in three my empire. 200 00:15:14,622 --> 00:15:17,542 It is my fast intent 201 00:15:18,459 --> 00:15:24,090 to shake all cares and business from my age, 202 00:15:25,299 --> 00:15:29,637 conferring them on younger strengths, 203 00:15:30,972 --> 00:15:37,478 while I, unburdened, crawl toward death. 204 00:15:40,314 --> 00:15:41,732 Are you listening? 205 00:15:43,067 --> 00:15:47,822 Now, my joy, although my last and least. Speak! 206 00:15:51,617 --> 00:15:53,494 What shall Cordelia speak? 207 00:15:58,249 --> 00:16:00,626 Love and be silent. 208 00:16:01,377 --> 00:16:02,795 Ah, there you are. 209 00:16:04,046 --> 00:16:05,715 What country is that over there? 210 00:16:05,882 --> 00:16:07,758 This is the kingdom of France. 211 00:16:08,384 --> 00:16:10,970 - Take off. - Yes, Mr. Learo. 212 00:16:11,137 --> 00:16:13,723 Now, you know, 213 00:16:14,515 --> 00:16:18,519 Bugsy Siegel and Lansky, that's Meyer Lansky, 214 00:16:20,062 --> 00:16:21,856 they was always fighting. 215 00:16:23,191 --> 00:16:29,322 And the point was that Bugsy, see, Bugsy was a real killer. 216 00:16:30,114 --> 00:16:34,076 Not like this, uh, Richard Nixon, you know. 217 00:16:34,243 --> 00:16:36,329 - How many people did he kill? - How many? 218 00:16:36,996 --> 00:16:38,164 Uh... 219 00:16:41,167 --> 00:16:43,544 Eight or ten that I know of. 220 00:16:44,212 --> 00:16:45,588 With his own hands? 221 00:16:46,589 --> 00:16:47,757 Yeah, mostly. 222 00:16:48,674 --> 00:16:55,181 Sometimes he, uh... He got some friends to help him get rid of them. 223 00:16:58,017 --> 00:17:02,605 But, uh, this Meyer Lansky, the little guy, 224 00:17:02,772 --> 00:17:05,608 and he was a philosopher, you know. 225 00:17:06,984 --> 00:17:09,153 And two days, in Vegas, 226 00:17:09,320 --> 00:17:12,657 this was two days before Bugsy was murdered, 227 00:17:14,617 --> 00:17:16,911 this Lansky said to him something-- 228 00:17:17,078 --> 00:17:20,623 I got his words in his own writing here. 229 00:17:21,249 --> 00:17:23,167 I want you to hear these. 230 00:17:24,710 --> 00:17:29,757 He says this... This is Lansky, see, to Bugsy. 231 00:17:29,924 --> 00:17:32,760 "Studying human nature, I came to the conclusion 232 00:17:32,927 --> 00:17:36,889 people prefer to be righteous at home 233 00:17:37,974 --> 00:17:40,184 and a sinner somewhere else." 234 00:17:41,435 --> 00:17:42,478 Own handwriting. 235 00:17:42,645 --> 00:17:44,355 "As for myself, I stick--" 236 00:17:45,648 --> 00:17:48,276 "As for myself, I stick to the same. 237 00:17:48,776 --> 00:17:51,237 When you lose your money, you lose nothing. 238 00:17:51,404 --> 00:17:53,823 When you lose your character, you lose everything." 239 00:17:54,532 --> 00:17:59,287 Mmm. Well, think about that, my beloved. 240 00:17:59,870 --> 00:18:01,247 Think about that, will you? 241 00:18:02,206 --> 00:18:03,416 Answer me. 242 00:18:07,628 --> 00:18:08,629 Huh? 243 00:18:10,590 --> 00:18:12,883 I don't have my heart in my mouth. 244 00:18:17,972 --> 00:18:20,433 You mend your speech a little. 245 00:18:23,477 --> 00:18:25,896 You may mar your dollars. 246 00:18:27,815 --> 00:18:30,693 - As you wish. - Love's labor's lost. 247 00:18:32,987 --> 00:18:36,616 As you wish. 248 00:18:37,742 --> 00:18:40,077 As you wish, as you wish. 249 00:18:40,244 --> 00:18:42,079 Um... Uh... 250 00:18:42,246 --> 00:18:46,167 As you witch. As you witch. As you... 251 00:18:46,334 --> 00:18:49,920 As you watch. As you watch. As you watch. 252 00:19:01,766 --> 00:19:02,767 Witch. 253 00:19:10,399 --> 00:19:11,525 Witchcraft. 254 00:19:15,237 --> 00:19:17,698 As you, uh... 255 00:19:21,285 --> 00:19:22,912 As you like it. 256 00:19:24,664 --> 00:19:28,584 That's it. That's it. As you like it. 257 00:19:30,503 --> 00:19:31,504 As... 258 00:19:35,257 --> 00:19:38,260 Thank you, miss. Thank you, my lady. 259 00:19:43,766 --> 00:19:44,767 Sure. 260 00:19:45,518 --> 00:19:47,937 I shall never marry like my sisters. 261 00:19:50,189 --> 00:19:51,816 To love my father all. 262 00:19:53,943 --> 00:19:57,154 But goes thy heart with this? 263 00:20:03,035 --> 00:20:04,245 Aye, my good lord. 264 00:20:07,456 --> 00:20:12,378 So young and so untender. 265 00:20:14,380 --> 00:20:17,591 So young, my lord. And true. 266 00:20:25,599 --> 00:20:27,476 You just saved my life. 267 00:20:35,025 --> 00:20:37,319 Are you trying to make a play for my girl? 268 00:20:37,486 --> 00:20:40,239 No, no, no, sir. Please. Allow me to introduce myself. 269 00:20:40,406 --> 00:20:42,616 Get your hands off me! Get your hands...! 270 00:20:42,783 --> 00:20:45,661 There's no play here. We're not trying to make any kind-- 271 00:20:45,828 --> 00:20:48,414 Sir, we're not... A play. Sir! 272 00:20:54,128 --> 00:20:56,088 Characters! 273 00:22:27,888 --> 00:22:29,765 Come not in here, Nuncle. 274 00:22:30,474 --> 00:22:31,809 Here's a spirit. 275 00:22:32,685 --> 00:22:34,520 Help me. Help me. 276 00:22:34,687 --> 00:22:37,857 - Give me thy hand. Who's there? - A spirit, a spirit! 277 00:23:10,097 --> 00:23:11,307 Hello? 278 00:23:12,016 --> 00:23:13,017 Hello? 279 00:23:13,851 --> 00:23:14,852 Hello? 280 00:23:23,485 --> 00:23:25,029 Where is everybody? 281 00:23:28,157 --> 00:23:29,408 Where are we? 282 00:23:31,243 --> 00:23:33,120 The name is Goodwater. 283 00:23:33,287 --> 00:23:35,789 Goodwater? That's a nice name. 284 00:23:37,124 --> 00:23:38,751 What city is this? 285 00:23:39,793 --> 00:23:42,463 When the French were here, they called it Les Anges. 286 00:23:43,005 --> 00:23:45,799 But before that, when the Spanish were here, 287 00:23:45,966 --> 00:23:47,927 they called it Los Angeles. 288 00:23:52,431 --> 00:23:54,642 Who was she? I needed to know. 289 00:23:55,267 --> 00:23:58,979 I decided to forget about the "To be or not to be" business for a while. 290 00:23:59,146 --> 00:24:02,942 Something was going on between this old man and this young girl. 291 00:24:03,692 --> 00:24:06,570 I decided to concentrate on their story. 292 00:24:08,948 --> 00:24:12,409 So I was trying to locate this Pluggy. 293 00:24:13,118 --> 00:24:15,788 I was walking in the woods near the lake. 294 00:24:15,955 --> 00:24:19,416 The place was named Aubonne, which means "good water." 295 00:24:19,917 --> 00:24:23,587 This information was given to me by a young man, poorly dressed, 296 00:24:23,754 --> 00:24:27,341 named Edgar, accompanied by his girlfriend Virginia. 297 00:24:27,841 --> 00:24:29,635 Except that she wasn't there. 298 00:24:30,469 --> 00:24:32,888 They seemed to be looking for something. 299 00:24:33,055 --> 00:24:35,015 "What were they looking for?" I asked them. 300 00:24:35,516 --> 00:24:37,393 The boy and the girl didn't know. 301 00:24:37,935 --> 00:24:39,478 The girl wasn't even there. 302 00:24:40,145 --> 00:24:41,647 "Only the professor knows, 303 00:24:41,814 --> 00:24:44,525 but he hates the outdoors and natural light." 304 00:24:45,401 --> 00:24:46,777 "Pluggy?" I asked. 305 00:24:47,861 --> 00:24:51,573 "Yes, he's stayed inside his editing room now for 20 years." 306 00:24:52,491 --> 00:24:53,492 Editing. 307 00:24:54,201 --> 00:24:55,953 That sounded familiar. 308 00:24:56,912 --> 00:24:58,497 "What's that?" I asked. 309 00:24:59,623 --> 00:25:02,459 But the girl and the boy couldn't remember either. 310 00:25:03,085 --> 00:25:05,254 And the girl still wasn't there. 311 00:25:06,213 --> 00:25:09,008 I tried to make an appointment, but they disappeared. 312 00:25:15,431 --> 00:25:16,640 Uh... 313 00:25:17,433 --> 00:25:20,060 Even if Lansky and I 314 00:25:20,686 --> 00:25:25,649 are as awesome as we are reputed to be, 315 00:25:26,150 --> 00:25:29,486 we are now scarcely more than... 316 00:25:30,112 --> 00:25:31,113 Than, um... 317 00:25:32,239 --> 00:25:33,323 More than... 318 00:25:34,408 --> 00:25:36,076 isolated men. 319 00:25:37,578 --> 00:25:41,582 Lonely, isolated men 320 00:25:41,749 --> 00:25:45,085 on the criminal landscape of America. 321 00:25:47,629 --> 00:25:48,464 Now... 322 00:25:48,630 --> 00:25:52,551 - Do you want to check, Father? - Yes, my angel. I want to check. 323 00:25:52,718 --> 00:25:56,513 "Lansky's organized crimes, ancient hope of getting casino gambling legalized--" 324 00:25:56,680 --> 00:26:00,225 Wait a minute, take your time. What's your hurry? What's your hurry? 325 00:26:01,643 --> 00:26:05,773 "By the late '60s, the whole country was Las Vegas-ized." 326 00:26:05,939 --> 00:26:06,857 Right. 327 00:26:07,024 --> 00:26:09,359 "Entertainment conglomerates like MGM 328 00:26:09,526 --> 00:26:12,071 today own the largest establishment in Vegas." 329 00:26:12,237 --> 00:26:13,238 Ah, yeah. 330 00:26:13,405 --> 00:26:16,158 "Bugsy Siegel's Flamingo is now the Las Vegas Hilton." 331 00:26:16,325 --> 00:26:18,786 Move slow! Slow! 332 00:26:18,952 --> 00:26:21,413 - "Bally, Playboy..." - Right. 333 00:26:21,580 --> 00:26:23,791 "...Holiday Inn have rushed into Atlantic City..." 334 00:26:23,957 --> 00:26:27,419 - Aye. On the sea. - "...the new El Dorado on the sea. 335 00:26:27,586 --> 00:26:31,048 And New York City is not far behind." 336 00:26:31,215 --> 00:26:35,260 "All of these vice and leisure centers 337 00:26:35,969 --> 00:26:39,348 are linked together through my Learo Jet Company." 338 00:26:39,515 --> 00:26:40,891 Aye. 339 00:26:41,850 --> 00:26:44,228 "All America is now embracing our vision." 340 00:26:44,394 --> 00:26:47,731 "All of America is now embracing our vision. 341 00:26:48,816 --> 00:26:54,988 - And Bugsy Siegel's death was not--" - Whoa, whoa, whoa. Not death. 342 00:26:55,656 --> 00:26:57,074 Uh... 343 00:26:58,742 --> 00:27:00,202 His martyrdom. 344 00:27:01,703 --> 00:27:04,206 "And Bugsy Siegel's martyrdom is not in vain." 345 00:27:04,373 --> 00:27:05,582 Martyrdom. Right. 346 00:27:05,749 --> 00:27:08,961 "The question universally asked is how much influence--" 347 00:27:09,128 --> 00:27:10,629 No, no. 348 00:27:11,338 --> 00:27:12,714 Not his influence... 349 00:27:13,298 --> 00:27:14,341 He, uh... 350 00:27:14,883 --> 00:27:16,176 How much power. 351 00:27:17,302 --> 00:27:18,846 Put power down. 352 00:27:20,681 --> 00:27:21,682 All right? 353 00:27:25,811 --> 00:27:26,812 Power. 354 00:27:29,606 --> 00:27:31,733 "The question universally asked is how much power 355 00:27:31,900 --> 00:27:34,361 Meyer Lansky and I exercise over these conglomerates..." 356 00:27:35,612 --> 00:27:38,365 The art of our necessities is strange, 357 00:27:38,532 --> 00:27:41,451 that can make vile things precious. 358 00:27:41,618 --> 00:27:43,829 "...even if the worst arrives..." 359 00:27:43,996 --> 00:27:47,249 When the mind's free, the body's delicate... 360 00:27:47,416 --> 00:27:50,210 "...the company must still be run as a business. 361 00:27:50,377 --> 00:27:55,549 And in the end, the system swallows up the gangsters in its gigantic maw..." 362 00:27:55,716 --> 00:27:59,136 See what breeds about her heart. 363 00:28:00,679 --> 00:28:05,309 Is there any cause in nature that make these hard hearts? 364 00:28:05,475 --> 00:28:09,980 "...and lonely, isolated men in the criminal landscape of America." 365 00:28:10,647 --> 00:28:14,568 I bear the mark of Cain. 366 00:28:16,820 --> 00:28:20,908 Make no noise. Make no noise. Draw the curtains. 367 00:28:22,409 --> 00:28:23,410 So. 368 00:28:24,453 --> 00:28:25,621 So. 369 00:28:27,080 --> 00:28:29,291 We'll go to supper in the morning. 370 00:28:29,458 --> 00:28:31,251 Sir, in my heart, 371 00:28:32,628 --> 00:28:38,133 there is a kind of fighting that will not let me sleep. 372 00:28:42,596 --> 00:28:43,597 Children... 373 00:28:45,766 --> 00:28:46,767 Children... 374 00:28:48,101 --> 00:28:50,354 You have begot me, bred me, loved me. 375 00:28:51,897 --> 00:28:54,399 And I return those duties as are right fit. 376 00:28:54,566 --> 00:28:58,737 Love you, obey you, and most honor you. 377 00:28:59,947 --> 00:29:02,658 There is two telex, Mr. Learo. 378 00:29:03,700 --> 00:29:04,826 There you are. 379 00:29:13,210 --> 00:29:14,503 Your sisters. 380 00:29:19,591 --> 00:29:24,388 Sir, I love you more than word can wield the matter, 381 00:29:25,931 --> 00:29:29,476 Dearer than eyesight, space, 382 00:29:29,643 --> 00:29:31,687 - Space and liberty. - and liberty, 383 00:29:32,646 --> 00:29:36,483 Beyond what can be valued, rich or rare, 384 00:29:37,359 --> 00:29:38,944 No less than life, 385 00:29:39,861 --> 00:29:43,490 in grace, health, beauty, honor; 386 00:29:44,533 --> 00:29:47,661 As much as child e'er loved, 387 00:29:47,828 --> 00:29:49,413 or father found; 388 00:29:50,539 --> 00:29:53,625 A love that makes breath poor, 389 00:29:54,251 --> 00:29:56,545 and speech unable. 390 00:29:57,170 --> 00:30:02,092 Beyond all manner of so much I love you. 391 00:30:05,595 --> 00:30:06,805 Is that Gloria? 392 00:30:07,639 --> 00:30:09,391 'Tis our eldest, yes. 393 00:30:11,143 --> 00:30:12,144 And Regina? 394 00:30:12,978 --> 00:30:15,856 The art of our necessities is strange 395 00:30:16,023 --> 00:30:18,567 that can make vile things precious. 396 00:30:19,109 --> 00:30:23,780 I am made of that self mettle as my sister 397 00:30:24,448 --> 00:30:27,367 and prize me at her worth. 398 00:30:27,868 --> 00:30:29,619 In my true heart 399 00:30:30,329 --> 00:30:35,083 I find she names my very deed of love; 400 00:30:35,250 --> 00:30:39,713 When the mind's free, the body's delicate. 401 00:30:41,715 --> 00:30:44,468 And find I am alone 402 00:30:47,137 --> 00:30:48,305 Oh. 403 00:30:49,723 --> 00:30:53,018 Make no noise, make no noise. 404 00:30:53,185 --> 00:30:54,186 Draw the curtains-- 405 00:30:54,353 --> 00:30:59,316 So, so, we'll go to supper in the morning. 406 00:30:59,483 --> 00:31:05,906 I find I am alone felicitate in your dear Highness' love. 407 00:31:07,657 --> 00:31:09,409 Then poor Cordelia. 408 00:31:10,786 --> 00:31:14,623 And yet not so, since I'm sure my love's more ponderous than my tongue. 409 00:31:16,208 --> 00:31:17,959 Tell me, my daughters. 410 00:31:20,712 --> 00:31:26,009 Since now we will divest us both of power and business. 411 00:31:27,386 --> 00:31:31,515 Which of you shall we say, does love us most? 412 00:31:35,477 --> 00:31:38,939 And now, my joy, to whose young love 413 00:31:39,106 --> 00:31:42,401 See what breeds about her heart. 414 00:31:43,819 --> 00:31:46,530 Is there any cause in nature 415 00:31:47,489 --> 00:31:50,700 that makes these hard hearts? 416 00:31:53,662 --> 00:31:54,746 Speak to me. 417 00:31:55,372 --> 00:31:56,373 Nothing. 418 00:31:57,249 --> 00:31:58,250 Nothing? 419 00:31:59,042 --> 00:32:00,419 No thing. 420 00:32:04,339 --> 00:32:06,299 Let me have surgeons; 421 00:32:07,175 --> 00:32:09,678 I am cut to th' brains. 422 00:32:19,604 --> 00:32:22,732 I've never seen anything as stupid as these goblins. 423 00:32:22,899 --> 00:32:26,570 Always showing up too soon or too late. You never really know what they're up to. 424 00:32:27,279 --> 00:32:29,364 Then again, I suppose they don't either. 425 00:32:29,531 --> 00:32:33,994 They can't help it. These gentle and powerful beings. 426 00:32:34,161 --> 00:32:36,496 The secret agents of human memory. 427 00:32:36,663 --> 00:32:38,790 They blow it every time. 428 00:33:45,482 --> 00:33:49,653 When my love swears that she is made of truth, 429 00:33:51,112 --> 00:33:55,116 I do believe her, though I know... 430 00:33:56,368 --> 00:33:57,452 she lies. 431 00:34:02,666 --> 00:34:05,001 Does any here know me? 432 00:34:05,835 --> 00:34:08,922 This is not Lear. 433 00:34:10,507 --> 00:34:12,676 Does Lear walk thus, 434 00:34:13,927 --> 00:34:15,220 speak thus? 435 00:34:16,888 --> 00:34:18,348 Where are his eyes? 436 00:34:18,515 --> 00:34:20,350 Where are his eyes? 437 00:34:21,601 --> 00:34:23,853 Either his notion weakens, 438 00:34:24,479 --> 00:34:29,943 or his discernings are lethargied. 439 00:34:30,860 --> 00:34:33,446 Ha! Waking? 440 00:34:34,573 --> 00:34:36,032 Ha. Waking? 441 00:34:36,783 --> 00:34:37,784 Waking? 442 00:34:38,368 --> 00:34:40,745 'Tis not so. 'Tis not so. 443 00:34:41,580 --> 00:34:48,545 Who is it that can tell me who I am? 444 00:34:59,723 --> 00:35:01,600 Lear's shadow. 445 00:35:14,446 --> 00:35:17,449 Have more than thou showest. 446 00:35:17,616 --> 00:35:19,409 Speak less than thou knowest, 447 00:35:20,535 --> 00:35:23,496 Lend less than thou owest, 448 00:35:24,414 --> 00:35:26,708 Ride more than thou goest, 449 00:35:27,250 --> 00:35:29,336 Hello? Excuse me, Mr. Learo? 450 00:35:29,502 --> 00:35:30,879 Learn more than thou trowest, 451 00:35:35,300 --> 00:35:37,552 Have more than thou showest. 452 00:35:37,719 --> 00:35:40,221 Speak less than thou knowest, 453 00:35:40,388 --> 00:35:42,932 Lend less than thou owest, 454 00:35:43,099 --> 00:35:45,477 Ride more than thou goest, 455 00:35:45,644 --> 00:35:48,188 Learn more than thou trowest, 456 00:36:07,457 --> 00:36:09,626 I'm old. 457 00:36:22,722 --> 00:36:25,183 What are you writing for? 458 00:36:25,934 --> 00:36:29,688 I'm trying to recover the work of my ancestor. 459 00:36:30,897 --> 00:36:34,442 I understand you've been working on this problem here, doctor? 460 00:36:41,658 --> 00:36:43,952 Well, nobody writes. 461 00:36:47,122 --> 00:36:49,582 So writing still exists? 462 00:36:53,670 --> 00:36:59,342 Oh, the trouble with what I'm looking for 463 00:37:01,553 --> 00:37:04,305 is that it doesn't exist. 464 00:37:05,390 --> 00:37:07,684 Nobody does it. 465 00:37:09,519 --> 00:37:11,980 Uh, just what are you aiming at, professor? 466 00:37:19,821 --> 00:37:23,867 When the professor farts, the moon things are trembling. 467 00:37:25,869 --> 00:37:29,581 No, no. Don't pretend to be a fool. 468 00:37:30,415 --> 00:37:33,042 Light it. It's been invented. 469 00:37:43,261 --> 00:37:45,722 Fools had ne'er less grace in a year, 470 00:37:45,889 --> 00:37:47,265 for wise men are grown foppish 471 00:37:47,432 --> 00:37:51,352 and know not how their wits to wear, their manners are so apish. 472 00:37:54,439 --> 00:37:59,068 How is it that you're always disobeying, Edgar? 473 00:37:59,235 --> 00:38:00,487 Oh, what?! 474 00:38:00,653 --> 00:38:02,071 No, professor. No, no. 475 00:38:04,574 --> 00:38:05,867 Children. 476 00:38:07,118 --> 00:38:08,495 Ah, children. 477 00:38:09,579 --> 00:38:12,665 What is their need for learning? 478 00:38:16,085 --> 00:38:19,255 They don't hear "No thing." 479 00:38:19,422 --> 00:38:24,010 Yes we do, professor! L-E-A-R, ning. 480 00:38:24,928 --> 00:38:25,929 What's that? 481 00:38:26,513 --> 00:38:28,848 What's that? What's that? 482 00:38:30,391 --> 00:38:32,852 Cry you mercy. 483 00:38:33,019 --> 00:38:35,814 I took you for a joint-tool. 484 00:38:40,527 --> 00:38:42,570 Yes, they disobey. 485 00:38:43,822 --> 00:38:46,574 Each one of us when one does anything, 486 00:38:46,741 --> 00:38:50,078 one is always disobedient in some way to something. 487 00:38:50,245 --> 00:38:52,163 Or obedient to something. 488 00:38:52,872 --> 00:38:57,293 Yes, in one's miserable soul. 489 00:38:58,294 --> 00:39:01,297 But disobedience is more interesting to study. 490 00:39:03,883 --> 00:39:07,679 Really, you never study, Mr. Shakespeare? 491 00:39:09,222 --> 00:39:11,057 Uh, number five. 492 00:39:11,224 --> 00:39:13,852 I'm in her Majesty's service and I obey my orders, 493 00:39:14,018 --> 00:39:17,897 and my orders are to bring the work of my ancestor to life, 494 00:39:18,064 --> 00:39:23,319 - but I can't stop till the story's over. - Yeah. What is't thou say'st? 495 00:39:25,989 --> 00:39:28,074 When the end's coming, 496 00:39:28,241 --> 00:39:32,412 they always disobey... 497 00:39:33,413 --> 00:39:35,623 Now thou art an O without a figure. 498 00:39:35,790 --> 00:39:37,584 Now thou art an O without a figure. 499 00:39:37,750 --> 00:39:39,377 I am better than thou art now. 500 00:39:39,544 --> 00:39:41,921 - I am better than thou art now. - Thou art nothing. 501 00:39:42,088 --> 00:39:46,259 - Yes, forsooth, I will hold my tongue. - I am a fool. Thou art nothing. 502 00:39:46,426 --> 00:39:49,846 Yes, forsooth, I will hold my tongue. 503 00:39:50,013 --> 00:39:53,099 So your face bids me, though you say nothing. 504 00:39:53,266 --> 00:39:55,143 Mum, mum. 505 00:40:00,899 --> 00:40:05,028 It is born and it is burnt. 506 00:40:07,572 --> 00:40:10,158 It begins from the thing it ends. 507 00:40:15,330 --> 00:40:16,748 Birth and death... 508 00:40:18,166 --> 00:40:19,167 linked... 509 00:40:21,377 --> 00:40:23,880 like mouth and breath. 510 00:40:24,047 --> 00:40:27,592 The answer to your question is there. 511 00:40:30,303 --> 00:40:34,140 What we are searching for is like that fire. 512 00:40:35,141 --> 00:40:39,938 It is born from what it destroys. 513 00:40:40,104 --> 00:40:41,064 Then what is it? 514 00:40:42,690 --> 00:40:44,317 Tell me the name! 515 00:40:57,163 --> 00:41:00,875 I ain't interested in names. 516 00:41:03,252 --> 00:41:04,712 Why is that? 517 00:41:04,879 --> 00:41:09,050 Look, no names, no lines. No lines, no story! 518 00:41:13,805 --> 00:41:16,099 To name things makes the professor pee. 519 00:41:16,265 --> 00:41:21,521 Who are they to need a name to exist? 520 00:41:37,662 --> 00:41:44,127 Do I need a name to see live beauty. 521 00:41:45,878 --> 00:41:47,088 I don't agree. 522 00:41:52,844 --> 00:41:57,098 Do you need to say red to see red? 523 00:41:59,100 --> 00:42:03,104 - Do I need to say lips to say... - I don't agree. 524 00:42:04,147 --> 00:42:05,148 I love you. 525 00:42:11,738 --> 00:42:12,864 I disagree. 526 00:42:13,031 --> 00:42:15,575 With the word, then come the mistake. 527 00:42:15,742 --> 00:42:18,745 - I need the memory. - But betwixt in the family. 528 00:42:18,911 --> 00:42:21,080 How can I possibly reach words with no words? 529 00:42:21,247 --> 00:42:23,374 First, the tragedy of choice. 530 00:42:24,500 --> 00:42:28,421 - And then second, the comedy of errors. - Nothing will come of this. 531 00:42:30,965 --> 00:42:35,219 Suppose we made a mistake at the very, very beginning... 532 00:42:37,263 --> 00:42:39,766 ...and we called red green. 533 00:42:40,767 --> 00:42:42,226 How would we know today? 534 00:42:42,393 --> 00:42:46,022 Betwixt mine eye and heart a league is took. 535 00:42:46,189 --> 00:42:48,483 And since you are interested in memory, 536 00:42:49,108 --> 00:42:50,943 I'll show you what it's like. 537 00:42:51,110 --> 00:42:52,528 Yes, tell me, professor. 538 00:42:52,695 --> 00:42:53,988 - Show. - Show. 539 00:42:54,155 --> 00:42:57,408 Or heart in love with sighs himself doth smother, 540 00:42:57,575 --> 00:43:00,411 with my love's picture then my eye doth feast, 541 00:43:01,829 --> 00:43:04,457 And to the painted banquet bids my heart. 542 00:44:12,358 --> 00:44:14,110 A violent silence. 543 00:44:15,236 --> 00:44:17,321 The silence of Cordelia. 544 00:44:18,906 --> 00:44:22,410 To the question of a king, her father. 545 00:44:23,411 --> 00:44:25,746 Her answer was nothing. 546 00:44:27,206 --> 00:44:29,125 No thing. 547 00:44:31,085 --> 00:44:33,296 But Cordelia is not mute. 548 00:44:34,297 --> 00:44:36,924 It is not that she hasn't said anything. 549 00:44:37,592 --> 00:44:40,720 She has said, "Nothing. 550 00:44:41,762 --> 00:44:43,472 No thing." 551 00:44:45,683 --> 00:44:50,479 This girl's silence, which is not mute, does not lead to violence. 552 00:44:51,480 --> 00:44:56,736 But everything that conspires and organizes itself around her silence 553 00:44:57,445 --> 00:45:01,073 that wants to silence her silence. 554 00:45:03,075 --> 00:45:04,952 This produces violence. 555 00:46:42,133 --> 00:46:46,554 Let me not be mad, not mad, sweet heaven! 556 00:46:46,721 --> 00:46:50,975 Keep me in temper; I would not be mad! 557 00:47:03,946 --> 00:47:06,073 You must bear with me. 558 00:47:06,240 --> 00:47:08,075 I am old and foolish. 559 00:47:15,207 --> 00:47:17,209 Let me not be mad, 560 00:47:18,210 --> 00:47:21,297 not mad, sweet heaven. 561 00:47:26,927 --> 00:47:29,555 I don't know if! made this clear before, 562 00:47:29,722 --> 00:47:31,140 but this was after Chernobyl. 563 00:47:31,682 --> 00:47:36,729 We are in a time now when movies, and more generally art, have been lost. 564 00:47:36,896 --> 00:47:40,232 Do not exist, and must somehow be reinvented. 565 00:47:46,280 --> 00:47:50,034 Thanks to the old man and his daughter, I had some of the lines. 566 00:48:03,756 --> 00:48:07,551 Her answer was: "Nothing. No thing." 567 00:48:09,053 --> 00:48:14,266 It does not mean anything. She has said, "Nothing. 568 00:48:15,976 --> 00:48:17,395 No thing." 569 00:48:40,918 --> 00:48:45,256 I don't know if I made this clear before, but this was after Chernobyl. 570 00:48:46,340 --> 00:48:53,013 We are in a time now when movies and more generally art have been lost, 571 00:48:53,180 --> 00:48:54,223 do not exist. 572 00:48:54,765 --> 00:48:56,809 And they have to somehow be reinvented. 573 00:48:58,269 --> 00:48:59,937 Thanks to the old man and his daughter, 574 00:49:00,104 --> 00:49:04,942 I have some lines and I was told this man Pluggy had the-- 575 00:49:05,109 --> 00:49:08,779 I still don't know what to call them, but they had to go together with the lines. 576 00:49:11,365 --> 00:49:14,034 Somehow I felt they needed to go together, that's why I tried... 577 00:49:14,201 --> 00:49:16,662 - Do not abuse me. - ...to get myself invited to this. 578 00:49:16,829 --> 00:49:18,873 Will't please your highness a walk? 579 00:49:19,457 --> 00:49:21,542 You must bear with me. 580 00:49:21,709 --> 00:49:23,669 I am old and foolish. 581 00:49:24,670 --> 00:49:28,257 Thou shouldst not have been old till thou hadst been wise. 582 00:49:28,841 --> 00:49:32,970 Oh, let me not be mad... 583 00:49:33,804 --> 00:49:36,432 ...not mad, sweet heaven. 584 00:49:37,725 --> 00:49:40,019 Keep me in temper... 585 00:49:42,062 --> 00:49:43,939 Yes, tell me, professor. 586 00:49:44,106 --> 00:49:45,357 - Show. - Show! 587 00:49:45,524 --> 00:49:46,525 Show. 588 00:49:46,692 --> 00:49:48,777 Show, not tell. 589 00:50:11,008 --> 00:50:12,843 There's a lot of noise around here, huh? 590 00:50:16,472 --> 00:50:17,640 What's it for? 591 00:50:26,607 --> 00:50:28,442 What's it all for, professor? 592 00:50:29,443 --> 00:50:30,569 Please! 593 00:50:31,195 --> 00:50:33,280 The Last Judgment. 594 00:50:37,284 --> 00:50:41,664 Welcome, my dear Mr. Shakespeare. Welcome. 595 00:50:42,331 --> 00:50:44,500 - What is all that? - Snakes. 596 00:50:44,667 --> 00:50:46,710 Number five. 597 00:50:47,211 --> 00:50:49,463 ——Children. 598 00:50:50,631 --> 00:50:51,632 Children. 599 00:50:53,133 --> 00:50:55,594 And you, my dear Mr. Shakespeare. 600 00:51:01,517 --> 00:51:06,897 You see, all those reckless words for the simple things on earth. 601 00:51:08,315 --> 00:51:11,193 There's only life and how it works. 602 00:51:12,861 --> 00:51:15,656 Thank you indeed for this definition of life. 603 00:51:15,823 --> 00:51:18,325 No, not life. 604 00:51:20,077 --> 00:51:21,954 Only an image. 605 00:51:23,414 --> 00:51:26,500 An image? What's that again? 606 00:51:32,089 --> 00:51:36,510 The image is a pure creation of the soul. 607 00:51:37,386 --> 00:51:40,055 It cannot be born of a comparison... 608 00:51:41,348 --> 00:51:47,980 but of a reconciliation of two realities that are more or less far apart. 609 00:51:51,984 --> 00:51:56,196 The more the connections between these two realities... 610 00:51:58,282 --> 00:52:01,869 ...are distanced and true, the stronger the image will be... 611 00:52:02,661 --> 00:52:05,331 the more it will have emotive power. 612 00:52:11,545 --> 00:52:15,007 Two realities that have no connection 613 00:52:15,174 --> 00:52:18,260 cannot be drawn together usefully. 614 00:52:19,720 --> 00:52:22,056 There is no creation of an image. 615 00:52:24,141 --> 00:52:29,146 Two contrary realities will not come together. 616 00:52:29,313 --> 00:52:31,398 They oppose each other. 617 00:52:31,565 --> 00:52:36,862 One rarely obtains forces and power from this opposition. 618 00:52:39,948 --> 00:52:44,703 So out went the candle and we were left darkling. 619 00:52:46,372 --> 00:52:50,918 So out went the candle and we were left darkling. 620 00:52:52,378 --> 00:52:58,550 An image is not strong because it is brutal or fantastic, 621 00:52:59,259 --> 00:53:04,807 but because the association of ideas is distant and true. 622 00:53:15,859 --> 00:53:21,615 The result that is obtained immediately controls the truth of the association. 623 00:53:29,873 --> 00:53:33,460 Analogy is a medium of creation. 624 00:53:34,294 --> 00:53:37,464 It is a resemblance of connections. 625 00:53:43,387 --> 00:53:48,600 The power or virtue of the created image 626 00:53:48,767 --> 00:53:52,104 depends on the nature of these connections. 627 00:53:59,153 --> 00:54:02,114 What is great is not the image... 628 00:54:03,240 --> 00:54:06,201 but the emotion that it provokes. 629 00:54:11,331 --> 00:54:17,713 If the latter is great, one esteems the image at its measure. 630 00:54:22,551 --> 00:54:26,638 The emotion thus provoked is true 631 00:54:27,389 --> 00:54:31,351 because it is born outside of all imitation. 632 00:54:31,518 --> 00:54:35,731 All evocation. And all resemblance. 633 00:54:43,238 --> 00:54:46,784 Have you finished our construction, Edgar? 634 00:54:46,950 --> 00:54:49,286 I'll go and see. I'll ask Virginia. 635 00:55:09,348 --> 00:55:10,599 Let's go. 636 00:55:11,892 --> 00:55:15,854 - May I bring some friends? - The old man and the young lady? 637 00:55:16,021 --> 00:55:19,608 - How do you know? - Never know, always see. 638 00:55:19,775 --> 00:55:21,568 Never know, always see. 639 00:55:23,695 --> 00:55:26,198 - Anyway, what's her name? - Cordelia. 640 00:55:27,199 --> 00:55:30,911 Is that her real name, or you just invented it? 641 00:55:31,078 --> 00:55:31,995 Well... 642 00:55:32,162 --> 00:55:34,957 Well, use the sparkler, my friend. 643 00:55:35,123 --> 00:55:36,750 Use the sparkler. 644 00:55:36,917 --> 00:55:40,295 When you and Edgar held it just now... 645 00:55:42,548 --> 00:55:47,052 its glow was dirty yellow. 646 00:55:49,346 --> 00:55:55,269 If it's gleaming white in her hand, then her virtue is true. 647 00:55:56,854 --> 00:55:59,815 And her name is Cordelia. 648 00:56:41,607 --> 00:56:45,819 A violent silence. The silence of Cordelia. 649 00:56:46,570 --> 00:56:49,740 To the question of a king, a gangster, her father. 650 00:56:50,282 --> 00:56:52,409 Her answer is, "Nothing." 651 00:56:53,452 --> 00:56:55,662 He demands the essential. 652 00:56:55,829 --> 00:56:59,041 How is he loved? Desired? 653 00:56:59,207 --> 00:57:01,084 From where is he loved? 654 00:57:01,919 --> 00:57:03,962 He has power. He is king. 655 00:57:04,129 --> 00:57:05,756 He wants to be wanted. 656 00:57:06,590 --> 00:57:09,009 Who wants him? Nothing. 657 00:57:09,968 --> 00:57:14,723 Not will. Not intelligence. No sex. 658 00:57:15,599 --> 00:57:21,188 But all the same, a body, a little bit of flesh. 659 00:57:22,439 --> 00:57:26,026 Because for Learo, to hear is to see. 660 00:57:27,819 --> 00:57:30,989 A man may see how this world goes with no eyes. 661 00:57:32,074 --> 00:57:34,117 Look with thine ears. 662 00:57:35,619 --> 00:57:41,291 This is what he tries to do. The king who calls himself Lear: E-A-R. 663 00:57:42,417 --> 00:57:44,211 In listening to his daughters, 664 00:57:44,878 --> 00:57:49,466 he hopes to see their entire bodies stretched out across their voices. 665 00:57:51,551 --> 00:57:54,471 What he wants is not what he desires. 666 00:57:55,055 --> 00:57:59,643 What he wants is to forget this desire that he cannot stand. 667 00:58:00,143 --> 00:58:03,230 The nothing of Cordelia. 668 00:58:03,397 --> 00:58:06,024 So that he can silence the silence, 669 00:58:06,191 --> 00:58:08,527 he listens as if he's watching television. 670 00:58:09,695 --> 00:58:10,696 But Cordelia. 671 00:58:12,155 --> 00:58:15,450 What she shows in speaking is not nothing... 672 00:58:16,535 --> 00:58:20,664 but her very presence, her exactitude. 673 00:59:26,438 --> 00:59:27,439 Take off. 674 00:59:31,777 --> 00:59:32,778 Get out. 675 00:59:44,372 --> 00:59:46,374 So, what do you think will happen now? 676 00:59:49,628 --> 00:59:53,423 - You will not have that for me. - No, no, no. 677 00:59:55,050 --> 00:59:58,970 Come, let's away to prison. 678 00:59:59,971 --> 01:00:03,642 - You do me wrong... - We two alone will sing 679 01:00:03,809 --> 01:00:08,146 - ...to take me out o' th' grave. - like birds i' th'cage. 680 01:00:08,313 --> 01:00:12,984 - Thou art a soul in bliss, - And when thou dost ask me blessing, 681 01:00:14,027 --> 01:00:17,572 - but I am bound upon a wheel of fire, - I'll kneel down 682 01:00:18,115 --> 01:00:21,284 - and ask of thee forgiveness. - that mine own tears 683 01:00:22,285 --> 01:00:27,833 - do scald like molten lead. - So we'll live, and pray, and sing... 684 01:00:29,918 --> 01:00:31,878 and tell old tales, 685 01:00:32,379 --> 01:00:34,381 They are not men o' their words; 686 01:00:34,548 --> 01:00:38,385 -and laugh at gilded butterflies, -they told me I was everything. 687 01:00:39,177 --> 01:00:44,432 - 'Tis a lie. I am not ague-proof. - and hear poor rogues talk of court news, 688 01:00:47,018 --> 01:00:48,854 we'll talk with them too-- 689 01:00:50,897 --> 01:00:57,195 Who loses and who wins; who's in, who's out-- 690 01:00:59,531 --> 01:01:05,287 and take upon us the mystery of things, 691 01:01:07,414 --> 01:01:10,667 as if we were God's spies. 692 01:01:13,044 --> 01:01:14,880 And we'll wear out, 693 01:01:16,173 --> 01:01:17,924 in a walled prison, 694 01:01:19,384 --> 01:01:22,804 packs and sects of great ones 695 01:01:24,055 --> 01:01:30,520 who ebb and flow by th' moon. 696 01:01:40,488 --> 01:01:43,158 People forget that you hear your own voice 697 01:01:43,325 --> 01:01:46,036 not with your ears, but from your throat. 698 01:01:47,162 --> 01:01:50,248 I've reinvented the lines, I've reinvented the plot. 699 01:01:50,957 --> 01:01:53,793 Now it's up to the characters. 700 01:01:54,794 --> 01:01:56,296 Or are they actors? 701 01:01:57,881 --> 01:02:00,634 Which is Dr. Jekyll, and which is Mr. Hyde? 702 01:02:01,885 --> 01:02:04,721 All I know is that I can't control either of them. 703 01:02:05,972 --> 01:02:07,682 Maybe they're controlling me. 704 01:02:09,226 --> 01:02:13,980 Obviously, this old man was power. 705 01:02:15,190 --> 01:02:18,443 Obviously, this girl was virtue. 706 01:02:19,402 --> 01:02:20,403 They're fighting. 707 01:02:22,405 --> 01:02:25,158 I don't know what the issue is. 708 01:02:35,585 --> 01:02:37,212 Do you have any cigarettes? 709 01:02:37,379 --> 01:02:43,551 Pall Mall, Marlboro, Lucky Strike, Camel, Philip Morris, Rothmans Red. 710 01:02:43,718 --> 01:02:44,970 You don't have Gitanes Filtre? 711 01:02:45,929 --> 01:02:47,180 I'm sorry, miss. 712 01:02:49,099 --> 01:02:51,977 Quiet, Virginia. This is a family reunion. 713 01:02:52,143 --> 01:02:54,813 Nature's above art in that respect. 714 01:02:54,980 --> 01:02:56,314 Good light, good light. 715 01:02:57,107 --> 01:03:01,736 From the north or from the south? 716 01:03:02,529 --> 01:03:06,449 Pall Mall, Lucky Strike, Camel, Philip Morris, Marlboro... 717 01:03:06,616 --> 01:03:09,035 That's fine. That's fine, Virginia. 718 01:03:09,202 --> 01:03:12,747 - What paper did you say you were from? - From The New York Times. 719 01:03:16,001 --> 01:03:17,002 Why that? 720 01:03:18,795 --> 01:03:19,921 Oh, that. 721 01:03:20,547 --> 01:03:21,715 Well, you see, 722 01:03:22,882 --> 01:03:24,134 I'll tell you, miss. 723 01:03:28,596 --> 01:03:30,015 Yeah, yeah. 724 01:03:32,017 --> 01:03:36,104 Where the chairs are placed here, 725 01:03:36,271 --> 01:03:40,358 they are all facing the same space and direction. 726 01:03:42,569 --> 01:03:45,947 And the voices are going over that space 727 01:03:46,448 --> 01:03:48,908 because it's projected all over. 728 01:03:49,534 --> 01:03:53,580 You know, in a simple living room in an apartment, uh, 729 01:03:54,456 --> 01:03:57,250 when someone is speaking, 730 01:03:58,209 --> 01:04:03,214 all the people listening are around the one who speaks. 731 01:04:03,965 --> 01:04:05,967 Not here, miss. Not here. 732 01:04:06,134 --> 01:04:07,719 This is our invention. 733 01:04:08,762 --> 01:04:12,432 All the people are facing the same direction, same... 734 01:04:14,225 --> 01:04:15,894 Same space. 735 01:04:16,061 --> 01:04:17,854 Even suppose it is dark, 736 01:04:18,688 --> 01:04:22,108 people will know where to look at. 737 01:04:22,901 --> 01:04:26,196 In a simple apartment, if it's in the dark, people are lost. 738 01:04:26,363 --> 01:04:29,074 They don't know what to look at. 739 01:04:29,574 --> 01:04:31,659 Here, they know. They know. 740 01:04:31,826 --> 01:04:32,911 Okay, but why that? 741 01:04:33,495 --> 01:04:36,456 Light, my dear, it may kill you. 742 01:04:36,623 --> 01:04:37,832 You mean, like the truth? 743 01:04:38,541 --> 01:04:41,795 Yes, if properly seen, light becomes the true-- 744 01:04:41,961 --> 01:04:45,090 Professor Kozintsev has arrived. Professor Kozintsev has arrived. 745 01:04:45,256 --> 01:04:47,175 Hello, my dear fellow. 746 01:04:49,386 --> 01:04:51,971 This is Professor Kozintsev from Leningrad. 747 01:04:52,138 --> 01:04:54,724 Miss Halberstadt from The Arkansas Daily. 748 01:04:54,891 --> 01:04:56,893 No, from The New York Times. 749 01:04:57,477 --> 01:05:00,647 You come all the way from Leningrad? 750 01:05:01,689 --> 01:05:04,776 Really? You found it, really? 751 01:05:06,986 --> 01:05:08,446 Do you have any chocolates? 752 01:05:08,613 --> 01:05:09,697 Lindt, Tobler. 753 01:05:09,864 --> 01:05:12,450 Suchard, Nestlé, Calle, Poulain. 754 01:05:12,617 --> 01:05:15,078 What's the name of your invention, Mr. Kozintsev? 755 01:05:21,835 --> 01:05:24,087 Image, that's a great word. 756 01:05:24,254 --> 01:05:26,172 They are not men o' their word; 757 01:05:27,173 --> 01:05:29,217 they told me I was everything. 758 01:05:30,510 --> 01:05:31,636 'Tis a lie. 759 01:05:32,887 --> 01:05:35,765 I am not ague-proof. 760 01:05:36,474 --> 01:05:40,687 Let's hope we don't make any mistakes, Mr. Shakespeare. 761 01:05:40,854 --> 01:05:43,148 - Number five. - What do you mean? 762 01:05:44,899 --> 01:05:49,821 With all those damned and reckless words, one never knows. 763 01:05:49,988 --> 01:05:51,906 I don't get it. 764 01:05:53,241 --> 01:05:54,909 Suppose, my dear, 765 01:05:56,703 --> 01:05:58,580 we call it "image," 766 01:05:58,746 --> 01:06:04,294 and that the real word is "reality." 767 01:06:04,461 --> 01:06:05,795 Then change it. 768 01:06:11,134 --> 01:06:15,013 No, no, no, no, no. 769 01:06:15,180 --> 01:06:16,931 No, no, the light... 770 01:06:18,016 --> 01:06:20,435 must come from the back. 771 01:06:22,228 --> 01:06:23,563 From the back. 772 01:06:28,485 --> 01:06:30,361 It's like the wind. 773 01:06:30,528 --> 01:06:33,072 Nature's above art in that respect. 774 01:06:33,239 --> 01:06:36,159 It's an arrow. 775 01:06:37,452 --> 01:06:39,662 I need to... 776 01:06:39,829 --> 01:06:44,626 push the reality... out. 777 01:07:01,017 --> 01:07:04,020 Oh, anyway, we have to stop the experiment. 778 01:07:04,187 --> 01:07:05,730 Oh, no, why that? 779 01:07:08,816 --> 01:07:10,735 Something is missing. 780 01:07:13,112 --> 01:07:14,280 Or someone. 781 01:07:16,407 --> 01:07:18,868 I'm there, I'm there, I'm there! 782 01:07:19,035 --> 01:07:23,081 Now you are part of the experience, like all of us. 783 01:07:23,623 --> 01:07:25,291 We are all part of it. 784 01:07:28,795 --> 01:07:30,880 Even if we have not found it, 785 01:07:31,047 --> 01:07:34,509 whatever you called it, reality or image, 786 01:07:34,676 --> 01:07:35,885 we fought for it. 787 01:07:36,469 --> 01:07:39,097 And by God, we are no longer innocent. 788 01:07:41,808 --> 01:07:44,185 Professor, there are two people here. 789 01:08:13,381 --> 01:08:16,259 Peace, Mr. Shakespeare. 790 01:08:26,728 --> 01:08:31,774 Come not between the dragon and his wrath. 791 01:08:33,401 --> 01:08:35,069 I loved her most 792 01:08:36,237 --> 01:08:37,780 and thought 793 01:08:39,866 --> 01:08:41,659 to find my rest 794 01:08:42,827 --> 01:08:44,829 in her kind nursery. 795 01:08:46,539 --> 01:08:50,251 Hence and avoid my sight! 796 01:08:53,087 --> 01:08:58,051 So be my grave, my peace. 797 01:10:05,785 --> 01:10:09,288 I went one last time to visit this mysterious young woman. 798 01:10:09,455 --> 01:10:10,373 She was asleep. 799 01:10:10,540 --> 01:10:13,626 Well, maybe she was sleeping, or was she just pretending? 800 01:10:13,793 --> 01:10:16,129 There were so many questions still unanswered. 801 01:10:16,671 --> 01:10:21,342 The old man, facing the screen, had not dared to pronounce the words: 802 01:10:21,509 --> 01:10:23,261 "As here I give her father's heart from..." 803 01:10:23,428 --> 01:10:24,846 I have a message from your father. 804 01:10:25,012 --> 01:10:28,015 It's true, I didn't quite understand them myself when I wrote them, 805 01:10:28,516 --> 01:10:31,477 - but I can't afford to lose them. - Come, let's away to prison. 806 01:10:31,644 --> 01:10:34,230 "As here I give her father's heart from her." 807 01:10:34,397 --> 01:10:38,693 We two alone will sing like birds i' th' cage. 808 01:10:47,201 --> 01:10:50,204 The doctor used the word "prison" last night. Remember? 809 01:10:51,914 --> 01:10:52,915 You were there. 810 01:10:55,376 --> 01:10:57,170 Oh, maybe I wasn't there myself. 811 01:11:17,023 --> 01:11:18,775 What do you think will happen now? 812 01:11:20,902 --> 01:11:23,070 Before seven years have passed, 813 01:11:23,571 --> 01:11:26,824 the Americans will lose everything they have in France 814 01:11:27,325 --> 01:11:31,954 in a great victory, which God is sending to the French. 815 01:11:34,165 --> 01:11:36,793 I say this now so when the time has come, 816 01:11:36,959 --> 01:11:38,878 it will be remembered that I've said it. 817 01:11:41,547 --> 01:11:43,007 In what year, what day? 818 01:11:46,093 --> 01:11:47,845 You will not have that from me. 819 01:11:58,856 --> 01:12:00,066 How can you know... 820 01:12:00,233 --> 01:12:02,109 If it's her virginity which gives her strength, 821 01:12:02,276 --> 01:12:03,778 ...whether your apparitions are male or female? 822 01:12:03,945 --> 01:12:05,863 - we'll make her lose it. - I see and I hear. 823 01:12:14,413 --> 01:12:17,250 - Do they have hair? - That could be. 824 01:12:30,555 --> 01:12:32,849 The hair, is it long and hanging? 825 01:12:33,015 --> 01:12:35,434 I don't even know if there are arms and a body. 826 01:12:36,769 --> 01:12:39,856 How do they speak if they don't have bodies? 827 01:12:41,649 --> 01:12:43,526 These apparitions, 828 01:12:44,235 --> 01:12:46,571 have they promised to deliver you from prison? 829 01:12:47,154 --> 01:12:48,155 Yes. 830 01:12:50,366 --> 01:12:52,368 From the prison that you're in at this moment? 831 01:12:52,535 --> 01:12:54,745 I told you that you cannot know all. 832 01:12:57,290 --> 01:13:00,251 It must come to pass that one day, I will be delivered. 833 01:13:01,878 --> 01:13:04,338 - Those who wish to take me... - ...from this world 834 01:13:04,505 --> 01:13:06,090 could well have to leave it before me. 835 01:13:15,099 --> 01:13:20,146 Your voices have always promised that you would be delivered. 836 01:13:24,150 --> 01:13:25,776 Your voices have deceived you. 837 01:13:29,864 --> 01:13:32,325 Yes, they have deceived me. 838 01:13:44,003 --> 01:13:45,713 You write what is against me. 839 01:13:46,255 --> 01:13:49,258 You do not write for me. 840 01:14:01,187 --> 01:14:03,314 The Kingdom of France. 841 01:15:01,622 --> 01:15:04,458 Ninety-nine percent of the play had now been rediscovered. 842 01:15:04,625 --> 01:15:05,918 Maybe even 101. 843 01:15:06,460 --> 01:15:08,921 I came to thank Professor Pluggy. 844 01:15:09,714 --> 01:15:11,716 I guess the first bells of Easter were ringing. 845 01:16:51,982 --> 01:16:53,901 Mr. Alien. 846 01:16:55,820 --> 01:16:57,488 Mr. Alien. 847 01:16:59,115 --> 01:17:00,116 Mister... 848 01:17:02,284 --> 01:17:04,370 Mr. Alien. 849 01:17:05,663 --> 01:17:07,915 Mr. Alien. 850 01:17:09,708 --> 01:17:11,210 Mr. Alien. 851 01:17:13,712 --> 01:17:14,755 Mister... 852 01:17:17,591 --> 01:17:19,677 Yes, they were Easter bells. 853 01:17:20,344 --> 01:17:24,807 The images were there as new, innocent, shy, strong. 854 01:17:26,100 --> 01:17:29,353 Now I understand that Pluggy's sacrifice was not in vain. 855 01:17:29,520 --> 01:17:32,523 Now I understand, through his work, St. Pauls' words, 856 01:17:32,690 --> 01:17:35,818 that the image will appear in the time of resurrection. 857 01:17:51,959 --> 01:17:52,877 Stop! 858 01:17:56,130 --> 01:18:00,342 Unhappy that I am, I cannot heave my heart into my mouth. 859 01:18:09,268 --> 01:18:13,564 Unhappy that I am, I cannot heave my heart into my mouth. 860 01:18:18,903 --> 01:18:21,864 The images were there as new, 861 01:18:22,031 --> 01:18:25,618 innocent, and shy, and strong. 862 01:18:25,784 --> 01:18:30,623 The images were there as new, innocent, shy, and strong. 863 01:21:00,522 --> 01:21:01,607 Oh... 864 01:21:09,907 --> 01:21:10,949 Oh. 865 01:21:16,622 --> 01:21:22,211 I might have saved her. Now she's gone forever. 866 01:21:23,212 --> 01:21:26,965 Cordelia, Cordelia, stay a little. 867 01:21:29,385 --> 01:21:33,764 Ha! What is 't thou sayst? 868 01:21:35,349 --> 01:21:39,645 Her voice was ever soft, 869 01:21:39,812 --> 01:21:43,065 and gentle, and low, 870 01:21:45,150 --> 01:21:46,944 an excellent thing in women. 871 01:21:47,111 --> 01:21:48,362 'Tis true, my lord. 872 01:21:50,072 --> 01:21:51,365 Did I not, fella? 873 01:21:53,575 --> 01:21:57,496 I have seen the day, with my good biting falchion. 874 01:21:57,663 --> 01:21:59,498 I would have made them skip. 875 01:22:01,166 --> 01:22:02,167 I am old now, 876 01:22:03,419 --> 01:22:07,923 and these same crosses spoil me. 877 01:22:10,092 --> 01:22:11,093 Who are you? 878 01:22:12,970 --> 01:22:17,891 Mine eyes are not o' th' best. I'll tell you straight. 879 01:22:19,601 --> 01:22:23,772 If Fortune brag of two she loved and hated, 880 01:22:23,939 --> 01:22:26,150 one of them we behold. 881 01:22:32,906 --> 01:22:36,618 This, this is a dull sight. 882 01:22:39,830 --> 01:22:42,291 - Are you not Edgar? - Your servant. 883 01:22:55,262 --> 01:22:59,600 O, let me not be mad, not mad, sweet heaven! 884 01:23:02,352 --> 01:23:04,188 Keep me in temper. 885 01:23:06,690 --> 01:23:08,192 I would not be mad! 886 01:23:11,570 --> 01:23:14,239 And in me too the wave rises. 887 01:23:14,865 --> 01:23:17,951 It swells. It arches its back. 888 01:23:19,912 --> 01:23:22,873 I am aware once more of a new desire. 889 01:23:23,957 --> 01:23:26,084 Something rising beneath me, 890 01:23:26,877 --> 01:23:31,048 like the proud horse whose rider first spurs 891 01:23:31,215 --> 01:23:33,175 and then pulls him back. 892 01:23:35,719 --> 01:23:39,348 What enemy do we now perceive advancing against us, 893 01:23:40,599 --> 01:23:42,226 you, whom I ride now, 894 01:23:43,810 --> 01:23:46,855 as we stand pawing this stretch of pavement? 895 01:23:49,775 --> 01:23:53,237 It is death. Death is the enemy. 896 01:23:55,531 --> 01:23:57,991 It is death against whom I ride, 897 01:23:59,159 --> 01:24:03,413 with my spear couched and my hair flying back like a young man's. 898 01:24:04,873 --> 01:24:08,544 Like Percival's, when he galloped in India. 899 01:24:10,295 --> 01:24:13,131 I strike spurs into my horse. 900 01:24:14,550 --> 01:24:21,014 Against you, I will fling myself, unvanquished and unyielding. 901 01:24:24,351 --> 01:24:25,352 Oh, Death! 902 01:24:27,646 --> 01:24:29,147 She's gone forever. 903 01:24:32,651 --> 01:24:37,281 I know when one is dead and when one lives. 904 01:24:39,408 --> 01:24:41,743 She's dead as earth. 905 01:24:45,330 --> 01:24:47,499 Lend me a looking glass. 906 01:24:49,626 --> 01:24:52,254 - If that her breath will mist... - Edgar? 907 01:24:52,421 --> 01:24:54,131 ...or stain the stone, 908 01:24:55,757 --> 01:24:59,428 - why, then she lives. - Edgar? 909 01:24:59,595 --> 01:25:02,556 It's a pity there is not music of Nino Rota. 910 01:25:04,808 --> 01:25:05,809 Okay. 911 01:25:08,270 --> 01:25:10,272 Let's use gentle words for once. 912 01:25:11,148 --> 01:25:13,900 To accompany the dawn of our first image. 913 01:25:48,018 --> 01:25:50,812 The weight of this sad time we must obey. 914 01:25:51,438 --> 01:25:54,733 Speak what we feel, not what we ought to say. 915 01:25:55,817 --> 01:25:57,653 The oldest hath borne most; 916 01:25:58,987 --> 01:26:01,990 we that are young shall never see so much 917 01:26:02,157 --> 01:26:03,992 - nor live so long. - Right, sir! 918 01:26:04,159 --> 01:26:07,287 I couldn't help remembering Pluggy's last words. 919 01:26:07,454 --> 01:26:09,581 "Mr. Alien." 920 01:26:09,748 --> 01:26:12,668 The bad time of Chernobyl had long been forgotten. 921 01:26:12,834 --> 01:26:15,629 The motion picture industry was growing fast again. 922 01:26:15,796 --> 01:26:19,091 Paramount, Fox, Warners were booming. 923 01:26:19,257 --> 01:26:21,510 And so was the Cannon Cultural Division. 924 01:26:22,552 --> 01:26:24,262 I was finishing the picture, 925 01:26:24,429 --> 01:26:27,224 or bringing this twisted fairy tale to an end, 926 01:26:27,724 --> 01:26:30,060 in a small editing place they had hired for me. 927 01:26:31,770 --> 01:26:35,065 The man in charge was named Mr. Alien. 928 01:26:35,232 --> 01:26:37,984 - Right, sir! - This can be no accident. 929 01:26:38,151 --> 01:26:39,903 - Right, sir. - Oh. 930 01:26:41,113 --> 01:26:43,824 Then I see a king dealing alone with his many subjects. 931 01:26:43,990 --> 01:26:45,075 Right, sir. 932 01:27:01,341 --> 01:27:03,635 Twenty years later, I still wonder. 933 01:27:06,221 --> 01:27:10,976 Why not some other gentleman from Moscow or Beverly Hills? 934 01:27:13,603 --> 01:27:14,771 Handling. 935 01:27:14,938 --> 01:27:16,523 - Why don't they order some goblin... - Physically. 936 01:27:16,690 --> 01:27:19,109 - ...to shoot this twisted fairy tales? - In both hands. 937 01:27:21,153 --> 01:27:24,197 The present, the future... 938 01:27:26,199 --> 01:27:27,325 and the past. 939 01:27:45,385 --> 01:27:50,932 No, I will be the pattern of all patience. I will say nothing. 940 01:27:52,976 --> 01:27:54,603 Am I in France? 941 01:27:55,312 --> 01:27:58,148 - In your own kingdom, sir. - Do not abuse me. 942 01:28:15,081 --> 01:28:19,920 So young and so untender? 943 01:28:29,262 --> 01:28:33,975 So young, my lord, and true. 944 01:28:36,228 --> 01:28:38,438 - Like as the waves -Like as the waves 945 01:28:38,605 --> 01:28:41,441 -make towards the pebbl'd shore, -make towards the pebbl'd shore, 946 01:28:41,608 --> 01:28:45,487 -So do our minutes hasten to their end; -So do our minutes hasten... 947 01:28:45,654 --> 01:28:49,616 Each changing place with that which goes before, 948 01:28:49,783 --> 01:28:54,496 - Each changing place... - In sequent toil all forwards do contend. 949 01:28:54,663 --> 01:28:56,164 All forwards do contend. 950 01:28:56,331 --> 01:28:59,334 -Nativity, once in the main of light, -Nativity, 951 01:28:59,501 --> 01:29:02,462 - once in the main of light... - crawls to maturity, 952 01:29:02,629 --> 01:29:04,923 Wherewith being crown'd, 953 01:29:05,090 --> 01:29:09,386 Crooked eclipses 'gainst his glory fight, 954 01:29:09,553 --> 01:29:15,058 And Time that gave doth now his gift confound. 955 01:29:16,476 --> 01:29:20,605 Time doth transfix the flourish set on youth. 956 01:29:21,439 --> 01:29:25,443 And delves the parallels in beauty's brow, 957 01:29:26,820 --> 01:29:29,990 Feeds on the rarities of nature's truth... 958 01:29:30,866 --> 01:29:34,911 And nothing stands but for his scythe to mow. 959 01:29:59,102 --> 01:30:01,021 They are not men o' their word; 960 01:30:02,063 --> 01:30:04,107 they told me I was everything. 961 01:30:05,400 --> 01:30:06,526 'Tis a lie. 962 01:30:07,611 --> 01:30:10,238 She's gone forever. 963 01:30:11,781 --> 01:30:14,701 - She's gone forever. - I know when one is dead 964 01:30:17,412 --> 01:30:21,875 I know when one is dead and when one lives. 965 01:30:24,210 --> 01:30:26,588 - She's dead as earth. - Lend me a looking glass. 966 01:30:27,297 --> 01:30:30,967 If that her breath will mist or stain the stone, 967 01:30:31,843 --> 01:30:35,180 why, then she lives.